1997 was an important year for Sint Janskerk in Gouda, as the Museo del Prado in Madrid asked to borrow the cartoon of the King's Window by Dutch glass painter Dirck Crabeth for the exhibition Felipe II. Un príncipe del Renacimiento (1998/99). Inspired by this event, it was decided to compile an anthology about the church's seventh window (7th according to the traditional numbering used by the church). The idea for the book is to place the King's Window at the center of the 1550s as a crucial presentation of Philip II's Netherlandish and English years. Based on the many-facetted topic and its numerous possible perspectives, an international group of twenty-one scholars from various disciplines studied the period in depth, in the course of which historical, socio-economic, theological, anthropological, art-historical, iconographical, heraldic and musicological aspects were analysised and discussed. This interdisciplinary approach produced a considerable number of essays revealing surprising new insights. The high-quality, innovative project also brought hitherto unknown material to light. An important step in current research into an enthralling era in European history of the second half of the sixteenth century.

304 pp., € 40,00
I
SBN 90-6550-822-8
clothbound, illustrated (32 x 24 cm)
XXX NUR 680/700
May 2005

Also available is a CD for € 10.00 containing detailed pictures of the King’s Window and its cartoon (recommended).

If you would like to order the Book and CD, please click on THE SEVENTH WINDOW

Goudsche Courant Historisch Huis
Tidinge van Die Goude The Journal of Ecclesiastical History Bijdragen en Mededelingen betreffende de Geschiedenis der Nederlanden
Renaissance Quarterly The Catholic Historical Review Revue Belge de Philologie et d'Histoire / Belgisch Tijdschrift voor Filologie en Geschiedenis
Trajecta The Burlington Magazine Google Beta
Saskia Wubbolts-de Boer (Historisch Huis): de expertise van de auteurs is indrukwekkend ... het boek kent een enorme diepgang
Paul H.A.M. Abels (Historische Vereniging Gouda): magistraal boek over Koningsglas in de Sint-Janskerk te Gouda ... het ongetwijfeld fraaiste boek uit de geschiedenis van de Goudse Glazen
José Luis Gonzalo Sánchez Molero (Fundación Española de Historia Moderna): excepcional volumen sobre la historia y la simbología de una de las vidrieras más extraordinarias de la iglesia de San Juan, en la ciudad neerlandesa de Gouda
Diarmaid MacCulloch (The Journal of Ecclesiastical History): a magnificently-produced treatment ... brilliantly analysed ... a triumph of collaborative presentation
E.O.G. Haitsma Mulier (Bijdragen en Mededelingen betreffende de Geschiedenis der Nederlanden): buitengewoon mooi geïllustreerd boek ... een volledigheid van onderwerpen die dit boek tot een waardevol bezit maken
Ethan Matt Kavaler (Renaissance Quarterly): enlightening book on an important genre of Renaissance art ... it should nurture many with a general interest in sixteenth-century culture
David Loades (The Catholic Historical Review): the quality of the essays in this beautifully produced book is very high ... they cover every aspect of the window with relentless scholarship
Valentine Henderiks (Revue Belge de Philologie et d'Histoire / Belgisch Tijdschrift voor Filologie en Geschiedenis): cet ouvrage réjouira le lecteur par ses approches variées et rigoureuses ainsi que par l'abondance et la qualité de ses illustrations
Charles Caspers (Trajecta): werkelijk prachtig vormgegeven en geïllustreerde bundel ... bijna vergeten kunstwerk van Dirck Crabeth gerehabiliteerd .... glas-in-loodramen waardevol voor de cultuurgeschiedenis
Rosemarie Mulcahy (The Burlington Magazine): impressive example of a well-researched international interdisciplinary study ... very handsomely produced book with excellent illustrations and full scholarly apparatus



PROLOGUE
Dr Geoffrey (N.G.) Parker (Nottingham, UK 1943) is Professor of History at Ohio State University, and previously taught at the University of St Andrews in Great Britain, at the University of British Columbia in Canada, at the University of Illinois at Urbana-Champaign and at Yale in the United States. He has researched the reign of Philip II for almost forty years, publishing a series of studies -- including The Army of Flanders and the Spanish Road, 1567-1659: The Logistics of Spanish Victory and Defeat in the Low Countries' Wars, London 1972 (revised edition, 2004); The Dutch Revolt, London 1977 (revised edition, 1985); Philip II, Boston-Toronto 1978 (fourth edition, 2001); and The Grand Strategy of Philip II, New Haven-London 1998 -- as well as many articles. His best-known book is probably The military revolution. Military innovation and the rise of the West, 1500-1800, Cambridge 1988 (third edition, 2000). In 1984 Geoffrey Parker was elected a Fellow of the British Academy; in 1992 the King of Spain made him a Knight Grand Cross of the Order of Isabella the Catholic in recognition of his work on Spanish history; and in 1999 the Society for Military History awarded him its Samuel Eliot Morison Prize for his work in Military History - The window everyone overlooked.



PART I

PLACE & TIME

GOUDA, 1549 - 1559


DONORS (1) - PHILIP II
Estrella (E.) Cavero Saiz (Madrid, Spain 1964) studied Geography and History with specialization in Art History and Ancient History at the Universidad Complutense in Madrid. She is finishing her doctoral thesis on El felicíssimo viaje by Juan Cristóbal Calvete de Estrella, focusing on Prince Philip's 1549 voyage to the Low Countries - The accession of Emperor Charles V's son as king of Spain, king of England and sovereign of the Low Countries, 1549-1559.

Dr Dina (B.) Aristodemo
(Cosenza, Italy 1941) was associate Professor of Italian Literature at the University of Amsterdam until 2002. She has authored studies on Italian Renaissance literature and Italian authors of the nineteenth and twentieth centuries. In 1994 she published the critical edition of Lodovico Guicciardini's Descrittione di tutti i Paesi Bassi (1567); the first complete description of the Low Countries - The joyeuses entrées of 1549: The staging of royal power and civic prestige.

in collaboration with

Drs Fernando (F.) Brugman (Papendrecht, Netherlands 1969) wrote in 1995 his master's thesis El 'felicísimo viaje' de Calvete de Estrella. Los Países Bajos en 1550, the description of Prince Philip's joyeuses entrées into the towns of the Netherlands, for his European Studies degree at the University of Amsterdam. He is currently working at UNESCO in Paris on the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage.



DONORS (2) - MARY TUDOR
Dr Glyn (G.) Redworth (Wellington, Shropshire, UK 1958) read History at Cambridge University and holds a doctorate from Oxford University. Last year he published The Prince and the Infanta: The Cultural Politics of the Spanish Match, Yale University Press 2003 (El príncipe y la infanta: una boda real frustrada, Madrid 2004); the struggle of the future King Charles I to win a Spanish princess as his bride. His current research interests include a study on 'The short reign of Philip I of England'. At the moment he holds the position of lecturer in Modern History at the University of Manchester - 'Matters impertinent to women': Male and female monarchy under Philip and Mary.


GOUDA
Dr Koen (K.) Goudriaan (Haarlemmermeer, Netherlands 1950) is Professor of Mediaeval History at the Vrije Universiteit in Amsterdam. He has published on the cultural and religious history of the Northern Netherlands in the Later Middle Ages and was involved in the production of Duizend jaar Gouda. Een stadsgeschiedenis, Hilversum 2002; a comprehensive history of the City of Gouda - City and sovereign: The pragmatic relations between Gouda and its monarchs Charles V and Philip II, 1549-1559.



GOUDA HUMANISTS
Dr Cornelia (C.M.) Ridderikhoff (Hoorn, Netherlands 1936) was a staff member and researcher in the Department of Renaissance Studies at the Constantijn Huygens Institute for text editions and intellectual history, The Hague. She was granted a doctor's degree at the University of Leiden for her thesis Jean Pyrrhus d Anglebermes: Rechtswetenschap en Humanisme aan de universiteit van Orléans in het begin van de 16e eeuw, The Hague 1981. She was principal editor of the series Les Livres des procurateurs de la nation germanique de l'ancienne Université d'Orléans 1444-1567, 6 vols., Leiden 1971-1988. For the last fifteen years she has been working on the publication of the Briefwisseling van Hugo Grotius, vols. 13-17, The Hague 1990-2001 - Humanists, 'Batavian ears', and Philip II as a Christian soldier in Gouda.

in collaboration with

Dr Lucy (L.L.E.) Schlüter (Amsterdam, Netherlands 1941) is an art historian and a collaborator in the Department of Renaissance Studies at the Constantijn Huygens Institute for text editions and intellectual history, The Hague. Her Ph.D.-thesis deals with the gardens, the house and the paintings described by Erasmus in the colloquy Convivium religiosum, which he wrote in 1522. Other publications are Erasmus op de penning, Rotterdam 1997; The Elsevier Non Solus Imprint, together with Pierre Vinken, Amsterdam 1997; 'Sporen van de Hypnerotomachia Poliphili in de zestiende-eeuwse beeldende kunsten van de Lage Landen' (Tracce dell'Hypnerotomachia Poliphili nelle arti figurative del Cinquecento nei Paesi Bassi), Incontri 14, 1999; and 'De plaats der vrome zielen. Inleiding'. Introduction to Desiderius Erasmus, Een goddelijk festijn, Rotterdam 2004.


SINT JANSKERK 
Drs Bianca (B.) van den Berg (The Hague, Netherlands 1963) studied Art History with a specialization in Mediaeval Architecture at the University of Leiden. Until recently she was a senior policy advisor for Monument Conservation and Archeology in the Department of City Planning of the Council of Gouda. Since 2005 she is an inspector in the Department of Cultural Heritage at the Ministry of Education, Culture and Science in The Hague, and is president of the Stichting Open Monumentendag (Foundation Open Heritage Day). Currently she is working on her dissertation on the building history of Sint Janskerk - Turbulent times for Sint Janskerk in Gouda. The story of the building campaign and the reconstruction after the Great Fire of 1552.

Ir Marinus (M.) Gout (The Hague, Netherlands 1922) studied Architecture at the Technical University in Delft. In 1948 he entered the service of the Building department of Philips Electronics Company in Eindhoven. His buildings include the fluorescent light factory in Roosendaal and Philips-Duphar in Weesp in the Netherlands, and Philips headquarters in Hamburg, Warschau and Istanbul. In 1951 he was architect for Philips Spain: headquarters in Madrid in collaboration with Professor Eduardo Torroja y Miret, and a new factory complex in Barcelona. In 1953 he became Professor and served several times as Dean of the Faculty of Architecture and vice chancellor of the Technical University in Delft. After retirement in 1983 he studied the symbolical backgrounds of mediaeval cathedrals, which resulted in several publications - The symbolic context of Sint Janskerk in Gouda, in the light of the architectural development of the French Cathedral.



MUSIC
Drs Marloes (M.C.) Biermans (Ede, Netherlands 1978) studied Musicology at the University of Utrecht. She majored in Renaissance and Baroque music. Her master's thesis deals with the transmission of the psalm-motets of Josquin des Prez in the German-speaking part of Europe. She works as a librarian and production manager for Combattimento Consort Amsterdam; an orchestra mainly playing music from the seventeenth and eighteenth centuries. She also is website editor for the Royal Concertgebouw Orchestra in Amsterdam - Music and liturgy in Sint Janskerk in Gouda.



PART II

OBJECT

THE KING's WINDOW


HABSBURG PATRONAGE
Drs Jan (J.) Van Damme (Schoten, Antwerp, Belgium 1957) holds a licentiate in Art History from the Catholic University in Leuven and a postgraduate degree in Monument and Landscape Conservation from the Henry Van de Velde Institute in Antwerp. He works as an art historian in the Department of Monuments and Cultural Heritage of the Province of East-Flanders (Ghent), and is a member of the Flemish Committee of Corpus Vitrearum Medii Aevi - The donation of the Seventh Window: A Burgundian-Habsburg tradition and the role of Viglius van Aytta.

Wim (W.) de Groot (Aalst, Netherlands 1949) was trained as a paper restorer at the Print Room (Rijksprentenkabinet) at the Rijksmuseum, Amsterdam. He worked for the Department of Prints and Drawings at the Statens Museum for Kunst in Copenhagen, Denmark; Conservation of Leben oder Theater - ein Singespiel, the collection of gouaches by Charlotte Salomon, for the Amsterdam Jewish Historical Museum; Conservation of works of art on paper by Theo van Doesburg from the Wies van Moorsel Estate donated in 1981 to the Dutch State. Since 1991 he has been working on the conservation of the cartoons for the stained-glass windows of Sint Janskerk. Between 1993-1996 he restored the cartoon of the King's Window and in 1998 did the installation of this working drawing for Felipe II. Un príncipe del Renacimiento in the exhibition hall of the Museo del Prado in Madrid - Viglius van Aytta and the iconography of the Seventh Window, and his protective influence during the Iconoclasm of 1566 in Gouda.

Idem - Habsburg patronage and the particular situation of the emperor's and king's windows during the Dutch Revolt.



ICONOGRAPHY (1) - THE DEDICATION OF THE TEMPLE OF KING SOLOMON
Dr Juan Rafael (J.R.) de la Cuadra Blanco (Madrid, Spain 1963) was granted in 1994 a doctor's degree in Architecture at the Escuela Técnica Superior de Arquitectura in Madrid for his thesis El Monasterio de El Escorial y el origen simbólico de su Traza Universal. He has published numerous articles regarding the temple of Jerusalem, its influence on El Escorial and the parallelism between Charles V and Philip II and David and Solomon - King Philip of Spain as Solomon the Second: The origins of Solomonism of the Escorial in the Netherlands.

Dr Klaas (K.A.D.) Smelik (Hilversum, Netherlands 1950) is Professor of Old Testament, Jewish Studies and Hebrew Language at the University Faculty of Protestant Theology at Brussels and visiting Professor for Jewish History at the Catholic University at Leuven. He published Converting the Past: Studies in Ancient Israelite and Moabite Historiography, Leiden 1992. His interest lies in the ideological representation of the past in Near Eastern, especially Israelite literature - The portrayal of King Solomon in the Hebrew Bible.



ICONOGRAPHY (2) - THE LAST SUPPER 
Dr Rebecca (R.E.) Zorach (New York, USA 1969) received her Ph.D. in Renaissance Art and Art Theory in 1999 and is currently an Assistant Professor of Art History at the University of Chicago. She has published essays on Titian, Renaissance perceptions of sodomy, and the Galerie Francois I at Fontainebleau, and has just completed a book entitled Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance, Chicago 2005. She has also worked on Reformation and Counter-Reformation imagery of the 1550s and 1560s and on Philip II's patronage and diplomacy. Her approach draws on theology, anthropology, and semiotic theories in studying the function of sacrifice, ritual and violence in the visual culture of sixteenth-century Europe - 'Blood upon the earth': Sacrifice and ritual in the King's Window of Gouda.

Dr Kees (C.P.J.) van der Ploeg (Appingedam, Netherlands 1954) lectures in the History of Art and Architecture at the University of Groningen and Radboud University in Nijmegen, and in 2002 was a visiting lecturer at the University of Pisa. He was awarded a doctorate for his dissertation Art Architecture and Liturgy Siena Cathedral in the Middle Ages, Groningen 1993. His research concerns the art and architecture of the Middle Ages, with a special focus on Italy. He was one of the editors and authors of Muurschilderkunst in Nedersaksen, Bremen en Groningen. Vensters op het verleden, 2 vols., Groningen 2001 (German edition: Wandmalerei in Niedersachsen, Bremen und im Groningerland. Fenster in die Vergangenheit, 2 vols., Munich and Berlin 2001); and he edits the quarterly journal Groninger Kerken. He also publishes articles on the architecture of the nineteenth and twentieth centuries and on the preservation of monuments and historic buildings - Iconographical aspects of the Last Supper in the Middle Ages.



REGALIA, HERALDRY AND COSTUMES
Drs Andrea (A.C.) Gasten (Phoenix, Arizona, USA 1949) studied Art History at the University of California at Berkeley and the University of Utrecht and has written about various facets of Dutch Art, including Dutch Symbolism and Vincent van Gogh. Recently she wrote about the heraldry in the stained-glass windows by the Crabeth brothers in Sint Janskerk, which appeared in Corpus Vitrearum Netherlands, vol. 2, Amsterdam 2002; and 'A nineteenth-century drawing after a lost sixteenth-century stained-glass window in the St Jacobskerk in The Hague', Simiolus 29, 2002 - The kingship of Philip and Mary: Some remarks on presentation and heraldry and the special circumstances surrounding the King's Window of Gouda.



ORNAMENT 
Dr Peter (P.) Fuhring (Wijk aan Zee, Netherlands 1952) is a free-lance art historian living in Paris, specialized in the history of ornament and design. He has published extensively on issues dealing with ornament prints and design drawings, including Design into Art. Drawings for Architecture and Ornament. The Lodewijk Houthakker Collection, 2 vols., London 1989; fully illustrated inventory of the prints after Hans and Paul Vredeman de Vries, in the series Hollstein's Dutch & Flemish Etchings, Engravings and Woodcuts 1450-1700, vols. XLVII-XLVIII, Rotterdam 1997; and Ornament Prints in The Rijksmuseum. The seventeenth century, 3 vols. Studies in Prints and Printmaking, vol. 5, Amsterdam-Rotterdam 2004. He is currently co-curating an exhibition on the 16th-century architect, designer and printmaker Jacques Androut du Cerceau - Ornament in the King's Window of Gouda.



CONSTRUCTION & CONSERVATION

Wim (W.) de Groot - The King's Window of Gouda, a prestigious commission?

Joost (J.M.A.) Caen (Roeselare, Belgium 1959) is Professor of Glass Conservation at the Hogeschool (University of Antwerp). Guest Professor at European and American conservation institutes such as Vantaa (Helsinki), Göteborg, Hildesheim, Erfurt, Vienna, León, La Granja and Georgetown University, Washington DC. Lectures at ICOM and ICOMOS conferences and scientific collaboration with the Fraunfoher Institut für Silicatforschung, Würzburg, and ICN Amsterdam. Conservation projects at the cathedrals of Antwerp and Brussels, Park Abbey in Leuven, Rumbeke Castle, churches in Bruges and Hoogstraten, etc. Vice-secretary of E.N.C.o.R.E (since 1998). Member of ICOM, ICOMOS, Corpus Vitrearum Medii Aevi, Royal Commission on Monuments and Sites in Flanders. Publications on glass conservation for among others the J. Paul Getty Conservation Institute, Los Angeles - Glass painting techniques in the Netherlands in the sixteenth century.

Henny (H.A.) van Dolder-de Wit (Gouda, Netherlands 1934) is since 1978 archivist of Sint Janskerk and has published many books and articles on Gouda history, including De St.-Janskerk te Gouda. Mensen en monumenten in een oude stadskerk, Amsterdam 1993. In 1999 she was knighted in the Order of Oranje-Nassau for her oeuvre. Four years later she was awarded the Holland Historical Society's Annual Prize, and in 2004 the Walvis Prize by the Gouda Vrienden van Archief en Librije Society for her essay on the conservation history of the King's Window for The Seventh Window - Through storm and shine: The conservation history of the Seventh Window.




PRODUCTION OF THE SEVENTH WINDOW
PUBLISHING HOUSE

VERLOREN PUBLISHERS
P.O. Box 1741
1200 BS Hilversum
The Netherlands

Tel: +31 (0)35 685 98 56
fax: +31 (0)35 683 65 57
e-mail: verloren@verloren.nl
website: www.verloren.nl



TRANSLATION

Donald (D.) Gardner (London, UK 1938) studied Medieval and Renaissance History at Oxford. He received his B.Litt.,Oxon in 1963 with a thesis on Politics and Propaganda under Giovanni II Bentivoglio of Bologna. He has lived in Holland since 1979 and works as a translator in the fields of Art, Art History and Architecture. Most recently he was co-translator of Jan van Herwaarden's Between Saint James and Erasmus. Studies in Late-Medieval Religious Life. Devotions and Pilgrimages in the Netherlands, Leiden 2003.

Drs Andrea (A.C.) Gasten (see Authors).

Drs Beverley (B.R.) Jackson (London, UK 1951) has been translating in the fields of Art History, History, and Sociology since 1989. Her many translations include Bram Kempers, Painting, Power and Patronage: The Rise of the Professional Artist in the Italian Renaissance, London 1992; Hugo van der Velden, The Donor's Image: Gerard Loyet and the Votive Portraits of Charles the Bold, Turnhout 2000; and Abram de Swaan, Human Societies: An Introduction, Cambridge 2001. She also works part-time at the Dutch Ministry of Foreign Affairs.

Dr Andrew (A.P.) McCormick (Williamsport, Pennsylvania, USA 1950) is a freelance translator. He studied Mediaeval and Renaissance History at Duke University (Ph.D. 1980) and the Scuola Normale Superiore di Pisa (1982-85). Besides articles on Florentine historiography, he has written Tuscany and the Low Countries: an introduction to the sources and an inventory of four Florentine libraries, Florence 1984, with Henk Th. van Veen, and most recently Abdul en alle anderen: belevenissen van een vrijwilliger in het vluchtelingenwerk, Amsterdam 1999, about political refugees in Amsterdam.

Drs Francisca (F.) Rojas del Canto (Santiago, Chile 1970) studied English literature at Leiden University and works as an English translator for academic publishers in the Netherlands. She translates in various fields from Spanish and French, which are her main languages, as well as Dutch. She is currently employed as an English translator at the Dutch Ministry of Foreign Affairs.



INDEX
Martin (M.L.) White (Chicago, USA 1946) has been an indexer since 1982. He worked for Encyclopædia Britannica as an indexer, indexing supervisor, and in thesaurus development. The index for Children's Britannica, for which he was index supervisor, was a runner-up for the Wheatley Medal of the Society of Indexers (UK). He has been a freelance indexer since 1990, full-time since 1995. He specializes in scholarly books, but also indexes trade books, textbooks, and medical journals. His index for John Patrick Diggins's The Promise of Pragmatism: Modernism and the Crisis of Knowledge and Authority, Chicago 1994, received the 1995 H.W. Wilson Award of the American Society of Indexers for Excellence in Book Indexing.



SPONSORING

Art & Design & Photo, Amsterdam
Prins Bernhard Cultuurfonds (Zuid-Holland), Den Haag
M.A.O.C. Gravin van Bylandt Stichting, Den Haag
Willem van Doorn, De Kwakel

G.I.C. (Glaskunst Informatie- en Documentatiecentrum), Antwerpen
Stichting 'De Gijselaar-Hintzenfonds', Amsterdam
Gemeente Gouda
Stichting Fonds Goudse Glazen
Group Monument,
Brussel
Indexing, Editing, Electronic Publishing, Chicago
M-real Benelux BV, Amsterdam
Stichting Dr Hendrik Muller's Vaderlandsch Fonds
, Den Haag
NWO (Nederlandse Organisatie voor Wetenschappelijk Onderzoek), Den Haag
Radboudstichting Wetenschappelijk Onderwijsfonds, Vught
George H. Vergouw, Amstelveen
VSBfonds, Utrecht



EXHIBITIONS
Felipe II. Un príncipe del Renacimiento, Museo del Prado, Madrid (1998/99)
Isaac van Swanenburg (1537-1614), kunstenaar aan de macht, Stedelijk Museum De Lakenhal, Leiden (1998-1999)
Het geheim van Gouda. De cartons van de Goudse Glazen, Stedelijk Museum het Catharina Gasthuis te Gouda (2002)



PAPER CONSERVATION

Vijftien jaar restauratie van de Goudse cartons (2000)
Van orgelzolder tot Prado. In de schijnwerpers van de wereld (2000)
The Expulsion of Heliodorus, Wouter Crabeth (2003)



LINKS

NWO (Nederlandse Organisatie voor Wetenschappelijk Onderzoek), Den Haag
Nederlands Instituut Madrid / Instituto Neerlandés Madrid
El Escorial y el Templo de Salomón
Tudor History
The Dutch Revolt - University of Leiden